Summer Solstice Celebration Thursday, June 19th @ 6:00pm on the Outdoor Stage at Featherstone Pathways - Featherstone - Noepe Center Summer Festival of Poetry Pathways Projects, Featherstone Center for the Arts and Noepe Center for Literary Arts is proud to present: The Pathways - Featherstone - Noepe Summer Festival of Poetry Offering music and refreshments at 6:00 p.m. Poets will read at 7:00 p.m. Tickets are $20 per person In the Virginia Weston Besse Gallery Tickets
are sold on a first come basis on the day of the event beginning at
6:00 p.m. Bunch of Grapes Bookstore will offer poetry books for
purchase. 2014 Poets coming soon! 2013 Pathways - Featherstone Summer Festival of Poetry Readings: Thursday, July 18: Marie Howe   John Koethe Friday, August 9: Billy Collins Under the Summer Tent at Featherstone   2012 Pathways - Featherstone Summer Festival of Poetry Readings:  Tuesday, July 17 Poets Laureate: Dan Waters, Fan Ogilvie, Justen Ahren & Steve Ewing Sunday, July 29: Carolyn Forche Award-winning Poet of Witness Human Rights Advocate Renowned as a “poet of witness,” Carolyn Forché is the author of four books of poetry. Her first poetry collection, Gathering The Tribes (Yale University Press, 1976), won the Yale Series of Younger Poets Award. In 1977, she traveled to Spain to translate the work of Salvadoran-exiled poet Claribel Alegría, and upon her return, received a John Simon Guggenheim Foundation Fellowship, which enabled her to travel to El Salvador, where she worked as a human rights advocate. Her second book, The Country Between Us (Harper and Row, 1982), received the Poetry Society of America's Alice Fay di Castagnola Award, and was also the Lamont Selection of the Academy of American Poets. Her third book of poetry, The Angel of History (HarperCollins, 1994), was chosen for The Los Angeles Times Book Award. Blue Hour is her fourth collection of poems (HarperCollins, 2003). She is currently at work on a memoir of her years in El Salvador, Lebanon, South Africa and France.  Forché’s anthology, Against Forgetting: Twentieth Century Poetry of Witness, was published by W.W. Norton & Co. in 1993. Her translation of Claribel Alegria's work, Flowers From The Volcano, was published by the University Pittsburgh Press in 1983. In 2000, Curbstone Press published a new book of her translations of Alegría, entitled Sorrow. In 1983, Writers and Readers Cooperative (New York and London) published El Salvador: Work of Thirty Photographers, for which she wrote the text. In 1991, The Ecco Press published her translations of The Selected Poetry of Robert Desnos (with William Kulik). She co-translated Selected Poetry of Mahmoud Darwish (University of California Press, 2002), from which a chapbook selection had been published by The Lannan Foundation (2001). In 1998 in Stockholm, she was given the Edita and Ira Morris Hiroshima Foundation for Peace and Culture Award, in recognition of her work on behalf of human rights and the preservation of memory and culture. Her articles and reviews have appeared in The New York Times, The Washington Post, The Nation, Esquire, Mother Jones, and others. Forché has held three fellowships from The National Endowment for the Arts, and in 1992 received a Lannan Foundation Literary Fellowship. Carolyn Forché is Lannan Visiting Professor of Poetry and Professor of English at Georgetown University, and lives in Maryland with her husband, photographer Harry Mattison. (from: blueflowerarts.com) Tuesday, August 7: Terrance Hayes  National Book Award-Winning Poet "First you'll marvel at his skill, his near-perfect pitch, his disarming humor, his brilliant turns of phrase. Then you'll notice the grace, the tenderness, the unblinking truth-telling just beneath his lines, the open and generous way he takes in our world." —Cornelius Eady One of the most compelling voices in American poetry, Terrance Hayes is the author of four books of poetry; Lighthead (2010), winner of the 2010 National Book Award in Poetry; Wind in a Box, winner of a Pushcart Prize; Hip Logic, winner of the National Poetry Series, a finalist for the Los Angeles Times Book Award, and runner-up for the James Laughlin Award from the Academy of American Poets, and Muscular Music, winner of both the Whiting Writers Award and the Kate Tufts Discovery Award. He has been a recipient of many other honors and awards, including two Pushcart selections, four Best American Poetry selections, and fellowships from the National Endowment for the Arts Fellowship and the Guggenheim Foundation. His poems have appeared in literary journals and magazines including The New Yorker, Poetry, The American Poetry Review, Ploughshares, Fence, The Kenyon Review, Jubilat Harvard Review, and Poetry. His poetry has been featured on The NewsHour with Jim Lehrer. Lighthead, his most innovative collection, investigates how we construct experience, presenting “the light-headedness of a mind trying to pull against gravity and time.” Its citation for the National Book Award described it as a "dazzling mixture of wisdom and lyric innovation." In Muscular Music, Hayes takes reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. In Wind in a Box he explores how identity is shaped by race, heritage, and spirituality with the unifying motif being the struggle for freedom within containment. In Hip Logic, Hayes confronts racism, sexism, religion, family structure, and stereotypes with overwhelming imagery. Hayes is an elegant and adventurous writer with disarming humor, grace, tenderness, and brilliant turns of phrase, very much interested in what it means to be an artist and a black man. He writes, "There are recurring explorations of identity and culture in my work and rather than deny my thematic obsessions, I work to change the forms in which I voice them. I aspire to a poetic style that resists style. In my newest work I continue to be guided by my interests in people: in the ways community enriches the nuances of individuality; the ways individuality enriches the nuances of community." A Professor of Creative Writing at Carnegie Mellon University, Hayes lives in Pittsburgh with his wife and children. (from: blueflowerarts.com)  Pulitzer Prize-winning Poet Jorie Graham, the daughter of a journalist and a sculptor, was born in 1950 and raised in Rome, Italy. As a teenager she helped out on the sets of Antonioni films, which inspired her interest in the medium of film. She went to French schools and to the Sorbonne, but was expelled for taking part in student protests. She attended New York University as an undergraduate where shestudied film with Haig Manoogian and Martin Scorsese. It was there that her passion for poetry was sparked—after walking past a classroom taught by M. L. Rosenthal. The teacher was reciting a snippet of “The Love Song of J. Alfred Prufrock,” by T. S. Eliot: “I have heard the mermaids singing, each to each. / I do not think they will sing to me.” Graham was struck by how much the words moved her and since then, she has immersed herself in the writing and reading of poems. She received an MFA from the University of Iowa. Graham is the author of numerous collections of poetry, including Sea Change (2008), Overlord (HarperCollins, 2005); Never (HarperCollins, 2002); Swarm (2000); The Errancy (1997); The Dream of the Unified Field: Selected Poems 1974-1994, which won the 1996 Pulitzer Prize for Poetry; Materialism (1993); Region of Unlikeness (1991); The End of Beauty (1987); Erosion (1983); and Hybrids of Plants and of Ghosts (1980). She has also edited two anthologies, Earth Took of Earth: 100 Great Poems of the English Language (1996) and The Best American Poetry 1990. Her many honors include a John D. and Catherine T. MacArthur Fellowship and the Morton Dauwen Zabel Award from The American Academy and Institute of Arts and Letters. She has taught at the University of Iowa Writers' Workshop and is currently the Boylston Professor of Rhetoric and Oratory at Harvard University. She served as a Chancellor of The Academy of American Poets from 1997 to 2003. She lives in Cambridge, Massachusetts and in the Litchfield Hills of Connecticut. With her many collections of poetry, it is said that Jorie Graham has invented a new poetic language—at once lyrical and analytical, sensuous and philosophical, shifting between acceleration and breaking. Rejecting the conventional lyric, Graham creates poems that range across the page and across human experiences, dramas of faith, perception, and emotion. Her poems press language to the breaking point, but out of the ruins emerges a startling new world. As she puts it: “the infinite variety of having once been, / of being, of coming to life, right there in the thin air.” (from: blueflowerarts.com) 2011 Poets: Thursday, June 9:  Dawn Lundy Martin & Ronaldo Wilson Dawn Lundy Martin is the author of DISCIPLINE (Nightboat Books 2011), which was selected by Fanny Howe for the Nightboat Poetry Prize, A Gathering of Matter/A Matter of Gathering (University of Georgia Press 2007), winner of the Cave Cavem Prize; and, The Morning Hour, selected in 2003 by C.D. Wright for the Poetry Society of America's National Chapbook Fellowship. Among her many honors include Massachusetts Cultural Council Artists Grants for Poetry in 2002 and 2006 and the 2008 Academy of American Arts and Sciences May Sarton Prize for Poetry. She is a founding member of the Black Took Collective, a group of experimental black poets; co-editor of a collection of essays, The Fire This Time: Young Activists And The New Feminism (Anchor Books, 2004); and a founder of the Third Wave Foundation in New York, a national young feminist organization. She is an assistant professor of English in the Writing Program at the University of Pittsburgh. Ronaldo V. Wilson is the author of Narrative of the Life of the Brown Boy and the White Man (University of Pittsburgh, 2008), winner of the 2007 Cave Canem Poetry Prize and Poems of the Black Object (Futurepoem Books, 2009), winner of the Thom Gunn Award for Gay Poetry, and the Asian American Literary Award in Poetry in 2010. Co- founder of the Black Took Collective, Wilson is a currently a Visiting Assistant Professor at Mount Holyoke College, and recent guest faculty at The Millay Colony, The Poetry Project at St. Mark's Church, and the Jack Kerouac School of Disembodied Poetics, Naropa University. He will begin teaching in the Literature Program at U.C. Santa Cruz in Fall 2011. Featherstone Center for the Arts is honored to be including these award-winning writers in its vibrant, longstanding and ongoing history of supporting African Americans in the Arts. Thursday, July 21: Robert Pinsky & Stan Strickland: "An Evening of Poetry & Jazz"  Robert Pinsky Robert Pinsky was born on October 20, 1940 in Long Branch, New Jersey. He received a B.A. from Rutgers University in New Brunswick, New Jersey, and earned both an M.A. and Ph.D. in Philosophy from Stanford University, where he was a Stegner Fellow in cr eative writing, and studied under the poet and critic Yvor Winters. He is the author of several collections of poetry, most recently Gulf Music: Poems (Farrar, Straus & Giroux: 2007); Jersey Rain (2000); The Figured Wheel: New and Collected Poems 1966-1996 (1996), which received the 1997 Lenore Marshall Poetry Prize and was a Pulitzer Prize nominee; The Want Bone (1990); History of My Heart (1984); An Explanation of America (1980); and Sadness and Happiness (1975). He is also the author of several prose titles, including The Life of David (Schocken, 2006); Democracy, Culture, and the Voice of Poetry (2002); The Sounds of Poetry (1998), which was a finalist for the National Book Critics Circle Award; Poetry and the World (1988); and The Situation of Poetry(1977). In 1985 he also released a computerized novel, Mindwheel. Pinsky has published two acclaimed works of traslation: The Inferno of Dante (1994), which was a Book-of-the-Month-Club Editor's Choice, and received both the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award; and The Separate Notebooks by Czeslaw Milosz (with Renata Gorczynski and Robert Hass). About his work, the poet Louise Glück has said, "Robert Pinsky has what I think Shakespeare must have had: dexterity combined with worldliness, the magician's dazzling quickness fused with subtle intelligence, a taste for tasks and assignments to which he devises ingenious solutions." From 1997 to 2000, he served as the United States Poet Laureate and Consultant in Poetry to the Library of Congress. During that time, he founded the Favorite Poem Project, a program dedicated to celebrating, documenting and encouraging poetry's role in Americans' lives. In 1999, he co-edited Americans' Favorite Poems: The Favorite Poem Project Anthology with Maggie Dietz. Other anthologies he has edited include An Invitation to Poetry (W.W. Norton & Company, 2004); Poems to Read (2002); and Handbook of Heartbreak (1998). His honors include an American Academy of Arts and Letters award, both the William Carlos Williams Award and the Shelley Memorial prize from the Poetry Society of America, the PEN/Voelcker Award for Poetry, and a Guggenheim Foundation fellowship. He is currently poetry editor of the weekly Internet magazine Slate. Pinsky has taught at both Wellesley College and the University of California, Berkeley, and currently teaches in the graduate writing program at Boston University. He lives in Cambridge, Massachusetts. Stan Strickland  Singer, saxophonist, flutist, actor Stan Strickland has performed throughout the United States, Europe, Scandinavia, the Caribbean, New Zealand and the former Soviet Union. In addition to numerous radio and television appearances, Stan has performed in many clubs and concert halls, including Jordan and Symphony Halls in Boston, Carnegie Recital Hall and Town Hall in New York, and at the Kennedy Center in Washington, D.C. His work has been featured on recordings by Bob Moses, Marty Erlich, Webster Lewis and Brute Force. Stan has performed with jazz greats Yusef Lateef, Pharoah Sanders, Herbie Mann, Danilo Perez, Shirley Scott and Marlena Shaw. Love & Beauty, Stan's new jazz vocal CD, featuring new arrangements of great jazz classics as well as original material, was released by Hawkline Records in 2005. Stan has opened for Jazz greats Miles Davis and Sonny Rollins, and for Barenaked Ladies. He toured South Africa with The Village People, and was a featured soloist with Take Six and the Boston Pops at Symphony Hall. His acting experience includes the leading roles in the Boston Art Group's production of Harlem Renaissance, Notheastern University's production of Crossing John, and Dr. Sax in a production of Jon Lipsky's play about Jack Kerouac, Maggie's Riff, produced by the Vineyard Playhouse. Stan has performed and collaborated with over a dozen choreographers including Alvin Ailey, Jose Limon, and Bill T. Jones. Stan is profiled/featured, (along with Blair Underwood and Lamar Burton), in a new film documentary that was filmed this past spring, entitled Black Man Up. He has performed at the prestigious Sundance Film Festival for the premiere of Academy Award winning documentary Born into Brothels and at three exclusive fashion/fragrance events for fashion icon Donna Karan. Stan has a M.A. degree from Lesley College in Expressive Arts Therapy where he is an adjunct professor. He also teaches at Berklee College of Music, Tufts University and Longy School of Music. Stan is Co-Executive Director of Express Yourself, a multidisciplinary team of professional artists, working in partnership with adolescents in public mental health residential facilities to produce multimedia performances that celebrate the restorative powers of serious art making. Thursday, July 28: Billy Collins Dubbed “the most popular poet in America” by Bruce Weber in the New York Times, Billy Collins is famous for conversational, witty poems that welcome readers with humor but often slip into quirky, tender or profound observation on the everyday, reading and writing, and poetry itself. John Updike praised Collins for writing “lovely poems...Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.” But Collins has offered a slightly different take on his appeal, admitting that his poetry is “suburban, it’s domestic, it’s middle class, and it’s sort of unashamedly that.” Collins’s level of fame is almost unprecedented in the world of contemporary poetry: his readings regularly sell out, and he received a six-figure advance when he moved publishers in the late 1990s. He served two terms as the US Poet Laureate, from 2001-2003, was New York State Poet Laureate from 2004-2006, and is a regular guest on National Public Radio programs. Collins has received fellowships from the National Endowment for the Arts, the Guggenheim Foundation and the New York Foundation for the Arts and has taught at Columbia University, Sarah Lawrence, and Lehman College, City University of New York. Appealing to both general readers and those who follow contemporary poetry closely, Collins has demonstrated a skill for “building a rare bridge of admiration for his work between [the] serious literary fold and poetry novitiates,” observed Weber. Thursday, August, 4:
Thursday, August 18: Naomi Shihab Nye With special introduction by Caroline Kennedy  Nye is the author of numerous books of poems, including You and Yours (BOA Editions,2005), which received the Isabella Gardner Poetry Award, as well as 19 Varieties of Gazelle: Poems of the Middle East (2002), a collection of new and selected poems about the Middle East, Fuel (1998), Red Suitcase (1994), and Hugging the Jukebox (1982). Nye gives voice to her experience as an Arab-American through poems about heritage and peace that overflow with a humanitarian spirit. About her work, the poet William Stafford has said, "her poems combine transcendent liveliness and sparkle along with warmth and human insight. She is a champion of the literature of encouragement and heart. Reading her work enhances life."
|
